The correct number of shooting days is not the number you prefer, but the number the team can achieve within a quality workday.
The number of shooting days results from the total number of angles, contexts, and the complexity of the setup, not a predetermined number crammed with scenes. A professional shooting day is contained within 8 to 10 hours and should only include the number of scenes the team can realistically handle in that timeframe. Overloading a single day with too many scenes will compromise lighting quality and the polish of the later scenes.
You do not need to choose a specific number of days and then try to fit scenes into that. The correct approach is the opposite: list everything that needs to be shot, then let the number of days emerge naturally. The photography profession estimates the number of days after creating a shot list and storyboard, not beforehand.
A standard commercial shooting day is packaged into 8 to 10 hours. During this time frame, the team needs to account for lighting setup, changing sets, breaks, and on-site photo checks. The actual number of scenes that can be completed depends on the complexity of each scene, not on your or the team's wishes.
Clean background product photos at the studio allow the team to shoot more scenes in one day without wasting time on transportation and setting up outdoor lights. Lifestyle photos (with models in real contexts) require additional hours for hair, makeup, and coordinating with models. These two types of photos should not be crammed into one day if the volume for each type is already substantial.
1 to 2 days is suitable for a foundational photo set, mainly shooting products in the studio, limited angles, with little or no model scenes. This is the scale of a basic photo set sufficient for a main sales channel.
2 to 4 days is suitable when the photo set serves multiple channels, combining both studio and on-location shoots, with model casting and various different sets.
4 to 5 days is allocated for large campaigns with multiple concept lines, various sets, and many product groups needing to be shot simultaneously or consecutively.
Plan based on the number of scenes the team can shoot in 8 to 10 hours, not according to the desire to capture everything.
Snappr, pricing guide and labor for product photography.
The number of shooting days is just one part of the total project timeline. From pre-production, shooting, post-production to approving edited photos, each phase has its own rhythm and depends on the scale. You need to factor this timeline into your product launch or campaign plan, not just the individual shooting days.
Topic: How many days of shooting is reasonable for your scale? Sinh Vũ guide, sinhvu.com
Tick each item that applies or that you can already answer, then print or save as PDF to take with you.
If you have marked most of the signs above, this is the time to discuss in more detail. Sinh Vũ can help you review and propose a direction.
Snappr, pricing guide and labor for product photography. Practical experience and definition of internal services at Sinh Vũ.
Dedicate the entire day to clean background product photos at the studio, as this type of photo yields the highest quantity in the same time frame. Lifestyle photos with models require additional time for hair, makeup, and changing sets, so if there is only one day, it is not suitable to combine them.
The way to calculate the days depends on the process of each team, including the number of lights needed, the number of people in the team, and the level of on-site photo checks. You should clarify how many scenes are expected to be shot each day and who is in the team, then compare the actual work instead of just the number of days.
The actual number of shooting days is only part of the total project timeline, which also includes pre-production, post-production, and photo approval. It is better to ask how long each phase takes rather than just inquiring about the number of shooting days.
This article is for reference. The scope, pricing, and specific commitments of Sinh Vũ are detailed in the proposal and signed contract.