Having many colors does not mean richness; it just makes recognition harder.
A usable color palette typically includes one primary color, one to two secondary colors, a neutral range, and one accent color used very sparingly. The 60-30-10 framework is a practical reference: 60 parts background and neutral, 30 parts secondary colors that carry identity, and 10 parts accent color for calls to action. Many equal colors do not make a brand richer; they only prevent any color from becoming a recognizable mark.
The question about the number of colors may seem simple, but it hides a larger question: can your team coordinate colors correctly without a designer sitting next to them? A good color palette is not just a beautiful palette on its own, but one that non-professionals can use to achieve consistent results.
Sinh Vũ categorizes brand colors into three clear roles, plus an additional functional strip when needed:
The 60-30-10 framework is a popular practical reference in digital interface design (UI design), helping to maintain visual balance and avoid color chaos:
A color element should not overpower the rest. When everything is equally large and vibrant, the viewer's eye does not know where to focus first.
Compact table: one primary color, one secondary color, and a neutral range. Suitable for new brands with few touchpoints, prioritizing memorability and consistency. A small team can operate independently right away.
Expanded table: adds a second supporting color or a functional color range. Suitable when there are digital products requiring interface states, or multiple product lines needing color differentiation. Clear usage guidelines are needed to prevent team mistakes.
Functional colors are colors that convey action meanings: green for success, yellow or orange for warnings, red for errors. These colors are necessary when products have interactive digital interfaces such as mobile apps or complex websites. For brands primarily operating through printed materials, packaging, and social media, a neutral palette and accent colors are sufficient. Adding functional colors to the palette of a purely traditional brand often leads to excess and confusion within the team.
The goal of the color palette is not to please the designer's eye. The goal is for the client's team to use it correctly without needing someone to remind them.
Practical experience, Sinh Vũ Studio
When Sinh Vũ creates a color palette for clients, the first criterion is not the most beautiful palette, but one that the client's team can operate independently after handover. This means the number of colors must be concise enough that no one has to guess, and each color must have a clear role to avoid misuse.
The reality Sinh Vũ sees most often: clients come with a pre-existing color palette, five to seven colors, but the team does not know which color to use where. As a result, each person chooses based on their feelings, and after a while, the materials look like they belong to different brands. The challenge is not to add colors, but to clearly define the role of each existing color, eliminate those without a role, and name each group so the team does not need to ask.
Topic: How many colors are needed in the color palette, and how to divide primary, secondary, and neutral colors? Sinh Vũ guide, sinhvu.com
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LogRocket, Master UI design: the 60-30-10 rule. Practical experience in building identity systems at Sinh Vũ Studio.
The primary color is the one that appears most frequently, associated with the brand name and logo, and is the color people remember. The secondary color supports the primary color in specific applications such as background elements, information cards, and dividers. If a color does not have a clear role in practical applications, it is a sign that it does not need to be included in the palette.
Functional color (semantic color, meaning action colors such as success, warning, error) is only necessary when the brand has digital products like apps or websites with user interfaces. For brands primarily using printed materials, social media, and packaging, a neutral palette and accent colors are sufficient. Adding functional colors to the palette of a traditional brand often leads to excess and confusion.
Yes, but each secondary color must have a distinct role in practical application, not just added because the color palette has space. If you cannot clearly explain where the third secondary color appears and what it does, that is a signal to remove it.