Before investing in photos, identity, or advertising, a homestay needs clear positioning. Positioning means knowing who this place is for, what experience it creates that others don't, and why guests should come back. Without answers to those three, every beautiful photo is just money spent with no lasting value.
In this article · 6 sections
Thousands of Vietnamese homestays run the same formula: hire a photographer to shoot the golden angles, list on Airbnb and Booking, discount in the low season, then run Facebook ads when rooms sit empty. That loop costs money steadily but builds no lasting value. The formula overlooks something important: a reason to exist that is different from everyone else, not just a better-looking photo.
The real issue is not lack of beautiful photos
If you open Booking.com and filter by any tourist province in Vietnam, the first thing that hits you is the striking similarity between homestays. The same warm yellow tone, the same bed with white linen, the same plant in the corner, the same caption: "a peaceful space in the heart of nature." It isn't that homestay owners lack taste. They're all copying the same idea of a "beautiful place to stay" without asking: beautiful for whom, and for what purpose.
Marty Neumeier, author of The Brand Gap, defines a brand as a customer's feeling about a product, service, or organization. It isn't the logo, the photos, or the main color. It's what guests remember, retell, and use to tell you apart from every other option as they ride a Grab home. That feeling doesn't come from photos, though photos can carry it if you already know what you're trying to convey.
What must come first: a clear positioning
Positioning is the answer to three questions asked side by side: Who, specifically, is this place for? What experience do they come here for that they can't get elsewhere? And why will they remember the name of this place, rather than just "that homestay in Đà Lạt last month"?
Those three questions sound simple, but most homestay owners skip the step of answering them honestly. "For everyone who loves nature" isn't positioning, it's a generic description of the whole sector. "A quiet space to rest" isn't positioning, it's the minimum standard guests assume every place already meets.
Real positioning looks like this: a homestay in Hội An chooses to serve only families with children under ten. They design everything around that, from safe bunk beds to an indoor play corner to a mild, non-spicy breakfast menu. They even build a "old town guide for busy parents" and send it before guests check in. This homestay doesn't need to compete with boutique hotels for honeymooners, because it isn't aiming at those guests. When a mother asks in a travel group, "where should we stay in Hội An with kids," their name comes up immediately.
The OTA trap and the customer ownership puzzle
Most independent homestays in Vietnam live off OTAs (online booking platforms like Booking, Airbnb, Agoda). That isn't wrong, especially in the early stage. The problem is that when OTAs become the only channel, the guest data belongs to the platform, not to you. Guests remember "that homestay on Booking," not the specific name. Next time they search, they type into Booking, not your name into Google.
This is the point where the brand intervenes: when customers remember the name and actively seek it out, you no longer pay 15 to 25% commission for each booking. But for customers to remember the name, it needs to be memorable and tied to a specific reason. You cannot solve the dependency on OTAs by simply making prettier images on those very OTAs.
Positioning is not what you do to a product. It is what you do to the mind of the prospect.
Al Ries and Jack Trout, Positioning: The Battle for Your Mind
Local storytelling: an asset that is wasted
Vietnam's hospitality sector has a paradox: the country is rich in story material, from craft villages to dialects to regional food memories. Yet most homestays choose an internationally neutral visual and written language, with no roots of their own.
The places that do this well aren't just "going traditional" in a folksy sense. They choose one real, specific local detail, not an invented one, and carry it through every guest touchpoint: how rooms are named, what's left on the pillow the first night, the scent in the space, how staff introduce the property. Kapferer calls this "staged physique" in his brand identity prism. When the physique has a true origin, the other five facets of the brand have somewhere to stand.
Consistency from before check-in to after check-out
Wally Olins describes a brand as operating through four vectors: product, environment, communication, and behavior. For a homestay, those four translate into practice like this: the physical space and amenities are the product; design from the signage to the towels to the scent of the candle is the environment; the way you write room descriptions and reply to messages is the communication; and the way the owner or staff interact with guests, from the first confirmation message to the thank-you sent after checkout, is the behavior.
The most common weakness isn't poor design. It's that the four vectors don't speak the same language. The photos on OTAs convey quiet luxury, but the owner texts in emoji and calls guests "fen." The room is minimalist, but the guide sheet is printed in laminated Comic Sans. The breakfast is home-cooked, but the menu is a default Word file. Each small mismatch isn't a design problem, it's a perception problem: guests aren't sure what kind of place they're staying in, so their memory of it is blurrier.
So where do we start?
Before calling a photographer, before hiring a designer for a logo, before upgrading the interiors, sit down and answer three questions honestly. Who exactly is my ideal guest, and what stage of life are they in when they come here? What experience is only mine to offer, rooted in my location, my people, or my origins? After they leave, what will guests say about this place, and who will they tell?
The answers to those three questions are a first draft of your positioning. From there, every decision that follows, from photos to room names to how you write your OTA listing to the choice of background music, can be tested: is this consistent with what we are building? If you don't know what you are building, there is no way to test it.
Byron Sharp notes in How Brands Grow that brand identity only accumulates when it is repeated consistently over time. For a homestay, that doesn't mean running a new photo campaign every season. It means deciding once who you are, then carrying that out at every guest touchpoint for long enough that they remember.
References
Byron Sharp, How Brands Grow (Ehrenberg-Bass Institute). Marty Neumeier, The Brand Gap. Jean-Noël Kapferer, The New Strategic Brand Management. Wally Olins, On Brand. Kantar BrandZ Global Report. Tourism market data: Vietnam National Administration of Tourism, HotelJob.vn, GoHost.vn.
