Expertise · Is it worth making a video right now

How long before the launch is it sufficient to start video production before the launch?

The answer is not 'as soon as possible' but to schedule backwards from the launch date, then protect the pre-launch phase at all costs.

Quick summary

Simple standalone videos need to be initiated a few weeks in advance. Brand films or campaigns with multiple cuts require two to three months. Sinh Vũ asks about the launch date right from the first meeting because it serves as a reference point for scheduling backward, allowing enough time for scripting and approvals instead of sacrificing quality to meet deadlines.

Quick comparison
You should choose this direction when
  • a simple standalone video, launching a few weeks in advance
  • Brand film or campaign, starting 2-3 months in advance.
  • 3D animation or high-end effects require additional post-production.
Not needed when.
  • launch too close to the release date, forcing budget cuts
  • Set a firm launch date before knowing the scale.

The question about the launch timing often comes late, when the launch date is approaching and the pressure is clear. Sinh Vũ offers a reverse thinking framework: instead of asking "when to start," ask "when to launch" and then schedule backward from there. This approach forces you to see the actual time needed, rather than being optimistic about the first week and rushing in the last week.

Two reference points to remember.

Sinh Vũ divides into two groups based on scale and complexity:

  • Simple standalone video: real footage, one topic, few reviewers. Starting a few weeks in advance is sufficient if pre-production is clear from the beginning.
  • Brand or campaign film with multiple cuts: requires two to three months. Sinh Vũ typically estimates a key video takes about four to six weeks, a full campaign from eight to twelve weeks.

2D animation or 3D visual effects require significantly more post-production time compared to live-action video, so always allow for a longer timeframe at the end of the schedule.

Three stages in a video project and which stage must not be cut

All video projects go through three phases: pre-production, production, and post-production. Understanding each stage helps you know where flexibility is possible and where it is not.

  • Pre-production: Brief, script, storyboard, schedule, and approvals. This stage determines quality. Cutting pre-production to meet deadlines is the most common reason for costly rework.
  • Production: filming, audio recording, or animation according to the approved script. The speed of this stage depends on the level of preparation in the pre-production phase.
  • Post-production: editing, color correction, sound, visual effects, and delivering in multiple formats. Animation and complex visual effects make post-production significantly heavier compared to standard live-action videos.

Sinh Vũ requires clients to approve the entire script and scenes before any production costs arise. This is a process that protects both parties.

Factors that add time that clients often overlook

  • Number of client approval levels: Each round of feedback requires waiting time and editing time. If multiple parties are involved in the approval process, add time for each round right from the scheduling stage.
  • Number of cuts by channel: A campaign requires a vertical version for social media, a horizontal version for the website, and a short version for paid ads. Each format requires additional post-production time and separate approvals.
  • Delivery and technical review time: files exported to meet the technical specifications of each platform may not always be completed on the first attempt.
Start early, clear pre-production: You have enough time for the script and scenes to go through multiple rounds of feedback and revisions before filming. The final result often aligns more closely with initial expectations, reducing the likelihood of additional costs for rework.

Launch close to the release date: Pressure to cut budgets or rush approvals. The highest risk is arising change requests after filming, at which point the costs and time to fix are much greater than making changes in the script.

Common errors when scheduling videos

  • Set a firm launch date before knowing the scale and complexity of the video, leading to unrealistic timelines from the start.
  • Calculating production time but forgetting to account for review rounds, especially when multiple people are involved in approvals from the client side.
  • Underestimating post-production, especially with animation, special effects, or campaigns with multiple cuts.
  • Shorten the lead time due to the feeling of "nothing to see" at this stage, while this is where the most time and cost savings can occur later.

Rushing in the pre-phase comes at a cost in the later phase. The quality of a video is determined before the camera starts rolling.

Practical experience of Sinh Vũ Studio

The viewpoint of Sinh Vũ

The first question Sinh Vũ asks when receiving a video brief is: "What is the launch date?" Not because they want to know the deadline, but because that is the only anchor point to schedule responsibly. From that date, Sinh Vũ schedules backward through each stage, then provides you with a clear answer: when to start, and if starting later, what will need to be sacrificed.

If you do not have a specific launch date, that is also important information. It means you can schedule at a suitable pace, rather than feeling pressured by a deadline set before fully understanding the scope of work.

The tool brings back.

Decision checklist

Topic: How long before the launch should video production start. Sinh Vũ guide, sinhvu.com

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Questions to answer before deciding

If you have marked most of the signs above, this is the time to discuss in more detail. Sinh Vũ can help you review and propose a direction.

References

Storyblocks, video production schedule guide (industry experience). Practical experience from Sinh Vũ Studio.

Frequently asked questions

How long should a simple product introduction video be?

A standalone video without animation or complex effects can often be completed in a few weeks if pre-production is clear and the approval rounds are not too many. It is crucial that the script and visual direction are finalized before filming, as revisions in post-production can be much more costly.

If the deadline is tight, where can the time be shortened?

The step that can be optimized is scheduling filming and post-production more closely, but pre-production elements like scripts, storyboards, and approvals should not be cut. Skipping pre-production is the source of most costly reworks. If time is really tight, consider scaling down the video instead of rushing the creative process.

How will you manage timing for campaigns that have different cuts for each channel?

Sinh Vũ estimates a full campaign typically requires eight to twelve weeks for multiple cuts. In addition to the main production time, additional time must be added for each round of approvals from each stakeholder and for delivering in multiple formats. Setting a hard launch date before knowing the number of cuts and approval levels is the most common mistake.

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