When local tourist destinations use beautiful scenery as a reason for selection, they are competing with something that any competitor can offer.
Local tourist destinations lose to OTAs on price and to resorts on image because they position themselves based on scenic beauty, an attribute that anyone can replicate or surpass with a larger budget. The only escape is to position local experiences that cannot be copied: things that are only found here, only happen this way, and only with these people.
Most local tourist destinations start their brand story with a photo: golden season terraced fields, a lake at dawn, a mist-covered forest path. These are truly beautiful images. The problem is that thousands of other places have exactly the same photos. When scenic beauty is the only reason to choose, it is no longer a reason.
In brand positioning language, an attribute is only valuable when it is real, different, and important to the buyer. Scenic beauty meets the first condition but fails the other two. It is not different because any location can find a decent angle for a photo. And increasingly, it is less of a deciding factor, as customers have become inundated with beautiful images on social media before they book.
Byron Sharp in How Brands Grow argues that competing brands do not win by convincing customers they are better, but by being remembered at the moment customers need to buy. But to be remembered, there must be something unique enough to anchor in memory. A beautiful photo of terraced fields does not anchor anything if ten other places use the same type of photo.
When positioning based on beautiful scenery, local tourist destinations are placing themselves in two battles that they can hardly win at the same time.
The first battle is with OTAs (Online Travel Agents). On these platforms, customers compare prices in seconds. Any destination without a compelling reason to pay more will be chosen based on the lowest price. OTAs win that battle because they have data, ranking algorithms, and millions of accumulated reviews. Smaller destinations do not have equivalent weapons.
The second battle is with large resorts. Resorts have budgets for professional photography, 8K drones, stylists, and full-time communication teams. If scenic beauty is the criterion, resorts win without trying. Their images are always more beautiful, distributed more widely, and appear first in every search result.
A brand is not what you say about yourself. It is what others feel when they think of you.
Marty Neumeier, The Brand Gap
The escape is not about taking better photos or offering deeper discounts. The escape is positioning with something that cannot be copied: experiences tied to the local culture, real people, and processes and stories that exist only there.
What cannot be replicated is not the landscape. It is the elderly Mông woman weaving traditional patterns passed down for four generations, the specific family's rice wine brewing process, and the way locals take guests to pick wild vegetables at 5 AM and then cook them for breakfast. These things cannot be transferred elsewhere. They are tightly bound to the location in a way that scenic beauty never can.
Kantar BrandZ notes that brands perceived as "meaningful and different" receive a willingness to pay that is 38% higher than the average brand in the same industry. In tourism, "meaningful" precisely refers to the feeling customers take home after their trip, not the photos they post.
A destination with good positioning but chaotic identity will still lose. Customers see beautiful photos on Instagram, visit the website and find a different font, receive a poorly presented confirmation email after booking, and arrive to find completely different signage. Each inconsistency erodes trust a little.
Wally Olins describes a brand operating through four vectors: product, environment, communication, and behavior. In tourism, all four must tell the same story. The scent of the hotel room, how staff greet guests in the morning, the type of paper the menu is printed on, the style of the tour map, all of these are part of the brand. It is not just the cover photo on Booking.com.
OTAs are not the enemy. They are an effective search channel, especially for first-time customers. The problem arises when OTAs become the only channel, as destinations lose ownership of their relationship with customers. They do not have customer data, cannot follow up after the trip, and each time a customer returns, they still have to pay a commission as if it were the first encounter.
A strong brand is essential for building direct channels. When customers remember the name of the destination, they search directly instead of going to OTAs for general searches. When they remember the experience, they refer it verbally, a channel that incurs no commission. This is the accumulation mechanism: a good brand reduces customer acquisition costs over time, rather than increasing them.
Before choosing colors, designing a logo, or hiring a photographer, the destination owner needs to answer one crucial question: if all the scenery were taken away, what would remain to tell?
If the answer is clear, deep, and cannot be applied to another place, then it is the foundation of positioning. Every brand decision, from naming, storytelling, and identity design to employee communication, builds from that foundation. If the answer is simply "more beautiful than that place," then there is no positioning, only hope.
The Vietnamese tourism industry is growing, with more visitors and higher spending. That is good news. But it is also when differentiation occurs the fastest: destinations with unique identities will benefit from this influx of visitors, while those that only have scenic beauty will continue to compete on price and keep losing.
Byron Sharp, How Brands Grow (Ehrenberg-Bass Institute). Marty Neumeier, The Brand Gap. Kantar BrandZ 2020. ITDR, Vietnam Tourism Report 2024. Gohost, Vietnam OTA Report 2024 (15-25% commission). Vietnam Tourism (TCDL), international visitor data 2025.
Running ads without clear positioning only buys views, not loyalty. Customers come once out of curiosity, but return because of a sense of belonging. The brand creates that feeling; advertising merely amplifies it.
You should not compete directly on the same playing field. Large resorts win on image and amenities, but they lose on locality and cultural depth because their scale forces them to standardize. Smaller destinations win by doing what resorts cannot: providing experiences tied to real people, real stories, and irreplicable spaces.
Not completely escaping, but reducing dependence is feasible. OTA is a search channel, not a loyalty channel. When the brand is strong enough for customers to remember the name and actively seek it out, the direct booking rate increases and the 15-25% commission per booking is no longer a mandatory cost for every reservation.