From badge to handwritten signature
The first identity change in forty-seven years. The sign removed the emblem format to fully transition to text, but two old details were intentionally retained.
Change component(5)
- Structure. The badge format is transformed into text, with no surrounding frame around the name.
- Typeface. The word Vinamilk transitions to a handwritten style, with the dot on the letter i becoming a smile.
- Color. Two primary colors named Bright Blue and Sweet Cream, along with an expanded tropical color palette.
- Details retained. The milk droplet in the belly of the letter a and the line Est 1976 indicating the founding year.
- Expanded system. Three custom-designed typefaces, a pattern system, and a library of hand-drawn illustrations.
Read at the professional level(4)
- Removing the surrounding frame is removing the most space-consuming element. The frame is a prestigious way of speaking from the print era, functioning like a seal. On online storefronts and mobile screens, a frame only takes up space without adding any meaning, as prestige there is read through other elements.
- Handwritten style changes the tone, not the name. The same eight letters, but the handwritten style reads as a person while the geometric style reads as a factory. This is where the typeface achieves what the content cannot.
- Conceal meaning in the smallest details. The dot on the letter i becomes a smile, using the same technique as the way Viettel places dialogue boxes. The image remains readable at a large scale, but those who pay attention will notice an additional layer. At a smaller scale, that layer is lost first.
- Three typefaces and a pattern system are tools for replication, not decoration. For a company with hundreds of packaging codes, what matters is not whether the sign is beautiful, but whether there are enough tools for each code to create its own identity.
Why change(2)
- The 1976 sign was created for a world of printing. The badge with a surrounding frame was a prestigious way of speaking at that time, similar to a seal, and it works well on both signage and cardboard boxes.
- The challenge in 2023 is entirely different. The sign must exist across hundreds of packaging codes, on online storefronts and mobile screens, where a surrounding frame only takes up space. Handwritten elements change the tone, shifting from a factory voice to a human voice.
Within the brand system(2)
- Hundreds of packaging codes mean the master sign must stand alongside dozens of different product names on the shelf. The trio of custom typefaces, along with the pattern system and illustration library, is designed so that each code can build its own identity while still representing the same brand.
- The two primary colors are given unique names, along with an expanded color palette. Naming colors is the task of a system, not a sign: with names, hundreds of codes can accurately refer to a color; without names, each printer mixes a style, and no one is wrong.
Trade-off(2)
- What you have to pay is forty-seven years of familiarity. Vietnamese consumers recognize that oval shape from a time when there were few choices, and what has entered the memory of many generations cannot be reordered.
- What you receive is a system that works in all formats, plus three custom typefaces and a library of images. For a business selling thousands of product codes, having a system to replicate is more valuable than just having a beautiful design.
Professional assessment(4)
- It can be closed. Transitioning from an emblematic form to a typographic form while still carrying over two pieces of recognition to the new version. This is the most challenging task of any rebranding after many decades, and they solve it through small details rather than by retaining the old shape.
- Build a toolkit, not just a design. This is also where the distinction lies between a one-time sign change and the creation of an identity system.
- It remains open-ended. The handwritten style reads as a person, while Vinamilk is an industrial-scale enterprise. The new tone is friendlier, but the institutional prestige that the emblem once carried must now be rebuilt with something else.
- The two retained pieces are so small that few can name them. They are enough for those familiar to recognize the new version, but the accumulated prestige over generations may not follow a drop of milk with a small line of text.
Takeaway(1)
- Vinamilk did not discard everything. The drop of milk and the small founding year are rarely named, but these two pieces allow those familiar with the brand to recognize the new version at first sight. This is the difference between changing identity and erasing identity: before discarding, you must identify which piece carries the recognition, and then bring it over.
Similar case(1)
- Viettel 2021 Facing the challenge of discarding a brand identity accumulated over decades, Viettel completely removed it while Vinamilk retained a key piece.
